Christian Van HornDevils and Kings

Prague Philharmonia
Rastislav Štúr – conductor

American bass-baritone Christian Van Horn ranks among the most charismatic singers of our time. He is at home on the world’s most prestigious stages: at New York’s Metropolitan Opera alone he has appeared more than a hundred times, and just as frequently at Lyric Opera of Chicago, San Francisco Opera, and Bavarian State Opera in Munich. Since 2013 he has also been captivating audiences around the globe through the Met Live in HD broadcasts — among others in Wozzeck, Lucia di Lammermoor, Die Zauberflöte, Falstaff, Thomas Adès’ The Exterminating Angel, and, in October 2024, in the “diabolical” quadruple role in Les contes d’ Hoffmann. It was on that occasion that the media hailed him as “opera’s definitive Devil.”

Indeed, devilish roles are his famed domain: in Boito’s Mefistofele, Gounod’s Faust or in Berlioz’s La Damnation de Faust; and we must also add Nick Shadow in Stravinsky’s The Rake’s Progress and Bertram in Meyerbeer’s Robert le diable. Yet, Christian Van Horn is by no means “a villain specialist” only. Among the roles closest to his heart are King Philip II in Don Carlo and the title hero in Massenet’s Don Quichotte. He is equally compelling as Escamillo in Bizet’s Carmen, Zaccaria in Verdi’s Nabucco, Verdi’s Attila, or Mozart’s Don Giovanni.

It is precisely the contrast between these two artistic worlds that inspired the title of his Prague debut: Devils and Kings. The royal majesty will be represented by Philip II — a role Christian added to his repertoire in spring 2025 at the Paris Opera.

And there is one more thing we must not overlook: on his website Christian lists two professions under his name — bass-baritone and podcaster. In 2020, during the lockdown, he founded the CVH Podcast to stay connected with his audience. He shared stories from his career, personal insights, and reflections — and once the lockdown ended, he began inviting his colleagues for live conversations. By the end of 2025, the number of episodes is approaching the impressive milestone of three hundred.

In both the infernal and the regal arias, Christian Van Horn will be accompanied by our trusted partner team: Prague Philharmonia under the baton of Rastislav Štúr.

www.youtube.com/@vanhorncvh
www.youtube.com/watch?v=0yhy4qEiAY4

christianvanhorn.com
www.prgphil.cz
www.rastislavstur.sk

NO PHOTOGRAPHY OR RECORDING!

HECTOR BERLIOZ (1803–1869)
Marche hongroise
La Damnation de Faust

HECTOR BERLIOZ
Devant la maison (Méphistophélès)
La Damnation de Faust

Voici des roses (Méphistophélès)
La Damnation de Faust

CHARLES GOUNOD (1818–1893)
Faust, La valse
Le veau d'or est toujours debout! (Méphistophélès)
Faust, Act II

Vous, qui faites l'endormie (Méphistophélès)
Faust, Act IV

JACQUES OFFENBACH (1819–1880)
Scintille, diamant (Dapertutto)
Les contes d’Hoffmann, Act II

Interval
 

ARRIGO BOITO (1842–1918)
Son lo Spirito che nega sempre tutto (Mefistofele)
Mefistofele, Act I

Ecco il mondo (Mefistofele)
Mefistofele, Act I

GIUSEPPE VERDI (1813–1901)
I masnadieri, Overture

GIUSEPPE VERDI
Mentre gonfiarsi l'anima parea dinanzi a Roma… Oltre quel limite, t’attendo, o spettro! (Attila)
Attila, Act I

GIUSEPPE VERDI
Ella giammai m’amò! (Philip II)
Don Carlo, Act III

GIUSEPPE VERDI
Ballabile III
Macbeth, Act III

GIACOMO MEYERBEER (1791–1864)
Nonnes qui reposez (Bertram)
Robert le Diable, Act III

Program is subject to change